See also:
Fiction Writing Intensive
Up next:
Level II Options
Fiction Writing I

Fiction Writing I is a 10-week workshop, which includes lectures, exercises, and the critiquing of student projects. It’s for beginners or anyone who wants to brush up on the fundamentals. Farther down, you can view a syllabus for this course.

Also consider Gotham’s premium Zoetrope Fiction Writing classes:西洋镜小说我or西洋镜小说我I.

Fiction is a wonderful conjuring act. With only words and the reader’s imagination, a work of fiction can sail across the world in pursuit of a whale, or time-travel to another dimension, or zero in on a few minutes in line at the local bank, enveloping the reader in a made-up story that feels real.

To pull off this feat requires a balance of craftsmanship, daring, and insight into human nature. Here you’ll learn the time-tested elements of fiction craft and how to market your work.

Whether you seek to write short stories or novels; commercial, literary, or genre; comic or tragic, we’ll show you how to spin your thoughts into believable and spellbinding tales.

About Fiction Writing
Fiction Writing I

Excellent course. No regrets. It was the springboard I was looking for. I rediscovered my desire to write.

Judith Rubin

sales

Notes

Fiction I encompasses short stories and novels. After Level I, students have a choice ofShort Fiction Writing II(focusing on short stories), orNovel II Critiqueor小说第二冷杉st Draft(focusing on novels).

If you’re working on “genre” fiction, you may take either a Fiction/Novel course or one of our genre courses:Science Fiction & Fantasy,Romance,Mystery.

If you’re working on a YA novel, you may take a Fiction/Novel or “genre” course, or you may take aChildren’s Bookcourse, where the full spectrum of children’s books will be covered.

Upcoming ClassesNYC COVID Info

To ensure everyone's good health, students in NYC classes must provide proof of full Covid vaccinations (the initial series of Covid vaccines plus at least one booster). We will accept your Covid vaccine card (or a digital scan), a NY State Excelsior digital card, or another form of government-approved proof. We will contact you before class begins about showing us proof. Masks are encouraged, but not required. We'll provide masks for those who need them.

More Covid details

Price

Registration fee $25, paid once per term

See Payment Options

To register for a 10-Week course, you need to pay in full to guarantee your place in class. Or you can pay a $95 deposit plus a $25 registration fee (total $120) to temporarily hold your place, but tuition must be paid in full 10 business days before your class starts or you risk losing your spot.

10-Week

Syllabus

This course gives you a firm grounding in the basics of fiction craft and gets you writing a short story (or two) or a novel. Course components:
Lectures
Writing exercises
Workshopping of student projects (each student presenting work two times)

New York City/Zoom classes
The syllabus varies from teacher to teacher, term to term. Many topics will be similar to those covered in the Online classes.

Online classes
Week 1
Introduction to Fiction:The different types and forms of fiction. Where to find inspiration and ideas. The importance of craft.

Week 2
Character:Where to find characters. Making characters dimensional through desire and contrasts. Creating character profiles. Showing vs. Telling. Methods for showing characters.

Week 3
Plot:Finding a major dramatic question. Shaping a beginning, middle, and end. The difference between short story and novel plots. Pros and cons of outlining.

Week 4
Point of View:POV defined. Exploration of the many types of POV.

Week 5
Description:Using the senses. Specificity. Techniques for creativity. Finding the right words. Merging description with point of view.

Week 6
Dialogue:The importance of scene. Dialogue's illusion of reality. Quotation marks and tags. Stage directions. Summarized dialogue. Characterization through dialogue. Subtext. Dialect.

Week 7
Setting/Pacing:Time. Place. Weather. Description of setting. Merging character and setting. How to manipulate time through pacing. Flashbacks.

Week 8
Voice:Voice defined. Exploration of the various types of voice. Tips for finding your voice. Understanding style—syntax, diction, and paragraph length.

Week 9
Theme/Revision:Theme defined. Types of theme. Weaving theme into a story. Exploration of the various stages of revision.

Week 10
The Business:Proper format for manuscripts. How to target publishing houses, literary magazines, and agents. Query letters.

Note: Content may vary among individual classes.

Teachers

Alanna Schubach
Alanna Schubach

Alanna Schubach is the author of the novelThe Nobodies(Blackstone Publishing). Her short stories have appeared inSewanee Review, Massachusetts Review, Juked,andElectric Literature's Recommended Reading.Her nonfiction has appeared inThe Atlantic,The Nation,Jacobin,Washington Post,theVillage Voice, and theLA Review of Books. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.

Read more
Angela Lam
Angela Lam

Angela Lam is the author of the memoirRed Eggs and Good Luck(She Writes Press), the novelsFriends First,The Divorce Planner, and the Women of the Crush series (all The Wild Rose Press), andBlood Moon Rising(Eternal Press), and the short story collection人类的行为和其他的故事(All Things That Matter Press). Her nonfiction has appeared inThe Sun,San Jose Mercury News,SFGate,Portland Book Review, and theBohemian. She holds a BA from Sonoma State University.

Read more
Arlaina Tibensky
Arlaina Tibensky

Arlaina Tibensky is the author of the novelAnd Then Things Fall Apart(Simon & Schuster). Her short stories and nonfiction have appeared inOne Story,SmokeLong Quarterly,McSweeney's, Madison Review,The Dinner Party Download,New Stories from the Midwest 2018(New American Press), the New York Times, and elsewhere. She holds a BA from the University of Wisconsin-Madison, and an MFA in Fiction from Columbia University.

Read more
Brendan Halpin
Brendan Halpin

Brendan Halpin is the author of the novelsDear Catastrophe Waitress,Long Way Back,andDonorboy(all by Villard); the memoirsLosing My FacultiesandIt Takes a Worried Man(both by Villard); and the author or co-author of eight young adult novels, includingLegacy(Gum Road),Forever Changes(by Farrar, Straus & Giroux),Tessa Masterson Will Go To Prom(Walker Books), andA Really Awesome Mess(Egmont USA). His nonfiction has appeared in theNew York Times,Boston Globe,Los Angeles Times,Sunday Times (of London) Magazine,Best Life Magazine,Rosie Magazine, andLadies’ Home Journal. He has taught at Emmanuel College, Bunker Hill Community College, and the Wentworth Institute of Technology. He holds a BA from the University of Pennsylvania and an MA in Teaching from Tufts University.

Read more
Cab Tran
Cab Tran

Cab Tran has published short fiction inVagabond: Bulgaria's English Monthly,The Oleander Review, andBlack Warrior Review, among many others. He is the translator, with Quan M. Ha, of the short-story collectionHanoi at Midnightby Bao Ninh (Texas Tech University Press). He co-founded the literary magazineCedilla,has worked as a tutor with the Michigan Mentorship Program, and taught for the University of Michigan. He holds a BA from the University of Montana and an MFA in Fiction from the University of Michigan.

Read more
Casandra López
Casandra López

Casandra López has published short stories in thePackinghouse Review,Flyaway,Potomac Review,加州杂志的女性作家,Unmanned Press, and the anthologiesBest Small FictionsandDimestories. She is the author of the poetry collectionBrother Bullet(University of Arizona Press) and the chapbookWhere Bullet Breaks(Sequoyah National Research Center), and her poetry has appeared inBellingham Review,NewBorder,Malpais Review,Hobart,Indian Country Today,Más Tequila Review, andHamilton Stone Review. She is a founder/managing editor of the literary journalAs/Us, teaches for the University of California at San Diego, and has taught at the University of New Mexico, Northwest Indian College, North Seattle Community College, and for Upward Bound. She holds a BS from Cornell, an MA in Educational Counseling from the University of Redlands, and an MFA in Fiction from the University of New Mexico.

Read more
Philip Cioffari
Philip Cioffari

Philip Cioffari is the author of the novelsIf Anyone Asks, Say I Died From the Heartbreaking Blues,The Bronx Kill,Jesusville,Catholic Boys,andDark Road, Dead End,as well as the short story collectionA History of Things Lost or Broken, (all Livingston Press/University of West Alabama). His short fiction has appeared in theSouthern Humanities Review,Westchester Review,North American Review,Connecticut Review,Italian Americana,and been anthologized inWild Dreams(Fordham University Press),100 Percent Pure Florida Fiction(University of Florida Press), andMany Lights in Many Windows(Milkweed Editions). His plays have been staged or received staged readings at The Actors Studio, the Belmont Playhouse, the Gettysburg College New Plays Festival, and the Circle Repertory Lab, among many others. He wrote and directed the feature filmLove in the Age of Dion, which won Best Director at the New York Independent Film and Video Festival, played at many film festivals including the Rhode Island International Film Festival and the Wildwood-By-The-Sea Festival, and was selected for the New Filmmakers NY series. He teaches at William Paterson University. He holds a Ph.D from New York University.

Read more
Quinn Adikes
Quinn Adikes

Quinn Adikes has published fiction inLit Hub,Five Points,Epiphany, december,Southampton Review,Shenandoah, and other journals. He taught for Stony Brook Southampton, where he also earned an MFA in Creative Writing.

Read more
Radhika Sharma
Radhika Sharma

Radhika Sharma is the author of the novelMangoes for Monkeysand the short story collectionParikrama, (both Frog Books/Leadstart Publishing). Her short fiction has appeared in theSanta Clara ReviewandThe Fanzine, and her essays, reviews, and articles have appeared in theSan Jose Mercury News,San Francisco Chronicle,Times of India,Economic Times,Pacific Time,Perspectives,In the Fray, andthe Forumon KQED FM, among many others. She is a former assistant fiction editor for14Hillsliterary magazine, and she has taught for San Francisco State University, Milipitas Adult Education, and the Learning Bee. She holds an MFA in Creative Writing from San Francisco State University.

Read more
Rita Chang-Eppig
Rita Chang-Eppig

Rita Chang-Eppig is the author of the novelDeep as the Sky, Red as theSea(Bloomsbury). Her short fiction has been selected forBest American Short Storiesand published inMidnight Breakfast,McSweeney’s Quarterly Concern,the Rumpus,Clarkesworld,Virginia Quarterly Review,圣塔莫尼卡审查,Conjunctions, and theKenyon Review Online, among others. She received a Steinbeck Fellowship from the Martha Heasley Cox Center for Steinbeck Studies at San Jose State University, and she has taught for the University of San Francisco and the San Francisco Writers’ Grotto. She holds a Ph.D in Clinical Psychology from the University of Michigan and an MFA in Fiction from New York University.

Read more